Blog

GLENCOE FOLK MUSEUM GIVES SNEAK PREVIEW OF NEW EXHIBITIONS 

Nicola Henderson Blog , , , , , , 0 Comment
<strong>GLENCOE FOLK MUSEUM GIVES SNEAK PREVIEW OF NEW EXHIBITIONS </strong>

Design work is rapidly advancing on Glencoe Folk Museum’s £1.3m lottery-funded redevelopment, scheduled to open in 2023. Peter Drummond architects and Mather & Co. exhibition designers are working with staff and the local community to create a vibrant attraction, fit for the 21st century whilst retaining the traditional look and much-loved charm of the original.

Founded in the 1960s by members of the community, the Museum holds over 6,000 artefacts and chronicles daily life in the Glencoe area between the 17th and 21st centuries, telling stories relating to themes such as industry, conflict, childhood and sport, as well as Jacobite uprisings, Clan history and of course the Massacre of Glencoe. The redevelopment plans include the erection of a new building at the back of the Museum’s historic listed cottages, creating a new reception area, gift shop and exhibition space. Improving visitor access is a key priority, as is improving the display conditions of the more vulnerable objects in the collection.

A highlight of the new displays will be an immersive, state-of-the-art projection and audio feature placing visitors in a MacDonald cottage on the night of the infamous 1692 Massacre of Glencoe. This emotive exhibition will bring to life the personal stories of the Massacre and give a clear understanding of the religious, political and cultural environment that allowed such an atrocity to take place.

Project Director, David Rounce, said;
 ‘There’s a lot of work ahead, including fundraising and shortly seeking planning permission, but we’re well on-track to make a museum that will be a real hub for local heritage – bringing Glencoe’s unique history to life for the community and our visitors from around the globe’.

The redevelopment will also restore the Museum’s listed 18th century cottages, the only surviving genuine heather-thatched structures in the area. Funding from the Pilgrim Trust has been secured to renew the thatch and help the Museum ensure its long-term preservation. It is planned to complement this traditional natural roof with a new “ living” roof on the extension.

Catriona Davidson, Curator, added;
 ‘We’ve been talking about this project since I started working here over 5 years ago,  so it’s really exciting to finally be able to share our plans  as everything comes together! Behind the scenes we’re busy researching, choosing artefacts and gathering stories. We’ve also been running community consultation sessions – we really want our museum to reflect the community that created it so it’s important to us that we are sharing as many local voices as possible”

Highlights of the Museum’s collection include a “coffin boat” once used to transport bodies to the Clan burial island of Eilean Munde, a beautiful 1740s silk dress, woven at Spitalfields and passed down the generations of a local family, a replica of the mysterious bronze-age Ballachulish Goddess and a large genealogical chart depicting the branches of Clan Donald. 

The Museum will open for the 2022 season on Saturday 2nd April. 

Interior and Exterior Views of the redevelopment

The Spirit of the Highlands and Islands – what is it?

Nicola Henderson Blog , , , , , , 0 Comment
Looking west along Loch Affric to snow topped mountains

Is it the landscape? The community? A favourite memory? How would you interpret it?

The Spirit of the Highlands and Islands project is being delivered by High Life Highland, on behalf of The Highland Council, and aims to create and promote compelling and sustainable visitor experiences that celebrate the Spirit of the Highlands and Islands, past, present and future.

Through the Spirit of the Highlands and Islands project, we will create assets including an interactive map and story archive to inspire greater exploration of the region. These will also establish authentic connections to local communities through their stories, engaging people with our rich natural and cultural heritage.

We asked people to contribute their story responding to the prompt, ‘What story sums up the Spirit of the Highlands for you?’ In doing this, the aim is to create a legacy of engaged communities and co-curated content which will showcase the natural and cultural heritage of the region. This is an opportunity for the people of the Highlands and Islands – those who live, work and travel here – to represent their area. Community stories will also inspire and inform the new visitor attraction currently being developed for the transformed Inverness Castle site. 

The Spirit of the Highlands and Islands project will be delivered in partnership with VisitScotland. It is supported by a grant from the Natural and Cultural Heritage Fund (NCHF) led by NatureScot and part-funded by the European Regional Development Fund (ERDF). Reflecting the Spirit of the Highlands theme, it will encourage people to visit all parts of the Highlands in a sustainable way.

Sophie Gartshore, Digital Project Officer for Spirit of the Highlands and Islands, said: “This is a great opportunity for people who love the Highlands to make their mark on the content for Spirit of the Highlands and Islands online and within the transformed Inverness Castle building in future! We are really looking forward to working with other projects and heritage sites to promote the natural and cultural heritage of the Highlands and Islands in unique ways.”

Stories submitted to the Spirit of the Highlands and Islands project will be used to inspire people to visit areas across the region and develop authentic connections with local communities. They are inspiring the creation of a Tapestry of the Highlands and Islands and Spirit:360, an artist commissioning programme supported by Creative Scotland, giving local artists an opportunity to showcase their work capturing the ‘spirit’ of the region. 

We would love you to get involved! Do you have a story you want to share about what the Spirit of the Highlands and Islands means to you? Tell us at https://www.spiritofthehighlands.com/get-involved/.

There are many opportunities for museums to be involved with the Spirit of the Highlands and Islands project! We are looking for local people to be involved in the stitching of the Tapestry of the Highlands and Islands, as well as events and craft workshops surrounding this to showcase community stories and collections. We are excited to involve local museums and organisations at these events to highlight important aspects of regional culture and heritage.

We also want to support museum events and projects, especially during Scotland’s Year of Stories. If you would like to be featured on our story map or promote your event/project through our social channels please email info@spiritofthehighlands.com.

Community Curators at The Highlanders’ Museum

Nicola Henderson Blog , , , , , , , , 0 Comment
Community Curators at The Highlanders’ Museum

The Highlanders’ Museum, Fort George has recently launched a brand-new project and they are looking for participants! Freya Samuels, Community and Digital Engagement Graduate,  talks to us about their new Community Curators programme.

The concept of Community Curators encourages members of the local community to contribute their opinions and ideas to their local museum – we call this, ‘have your say in our display’.

Over the last few years, it has become increasingly important for museums to take another look at how they talk about colonial histories. We are keen to make sure that our museum interpretation not only represents the views of the modernising museums sector, but also the views of our community. By bringing together a group of Community Curators who are keen to have their voice heard, we will run projects throughout the year looking at object interpretation, contextual narratives, and temporary exhibitions.

This project is taking a wide approach to the term ‘community’. In one sense, community is the people right on our doorstep, around Ardersier, Nairn, and Inverness, but we are all part of a global community – this is why our sessions will be hybrid, allowing participants to attend in-person and online.

Our first project, starting on 2nd March 2022, is called ‘Re-thinking the Indian Rebellion’. The Rebellion is a key event in our regimental history, as all of the historic regiments represented at the museum played a part in the conflict. The project will involve writing alternative object labels and narratives to go alongside the existing interpretation, offering an alternative perspective of the war. We have an exciting line up of speakers, including Dr Jim MacPherson of the University of the Highlands & Islands, Dr Nicole Hartwell of Cambridge University, and a label writing masterclass led by PhD student Chris Berriman.

Sessions for ‘Re-thinking the Indian Rebellion’ will run every Wednesday evening from 2nd March at 18:30, for six weeks. Everyone is welcome to sign up to become a Community Curator, although places are limited – once we have reached capacity, participants will be placed onto a waiting list. Taking part is free, and we particularly encourage participants who are passionate about how museums address colonial histories. To find out more about the project and sign up, just head to our website: https://www.thehighlandersmuseum.com/?page_id=30512
If you would like to get involved in a Community Curators project as a museum, history, or heritage professional, get in touch with Freya at scotgrad@thehighlandersmuseum.com

Broch-t back to life!

Nicola Henderson Blog , , , , , , 0 Comment
Broch-t back to life!

A millennia-old, ‘new-build’: first look at archaeological group’s ‘grand design’ for ancient monument.

Archaeological charity Caithness Broch Project (CBP) recently unveiled their impressive vision for the first broch to be built in Scotland in 2,000 years. Brochs – tall, double-walled, drystone towers found only in Scotland – were once common features in the Iron Age landscape across the Highlands and Islands, and Caithness can lay claim to have more brochs than anywhere else. CBP now want to recreate one as a thriving visitor attraction for the county.

The visuals, created by digital reconstruction artist Bob Marshall, showcase the ambitious aims of the charity, who seek to construct the monument using tools and techniques only available to their Iron Age counterparts.

The broch, designed by CBP co-founder Iain Maclean, reflects the wider architectural repertoire of brochs across Scotland, incorporates a number of flourishes such as triangular doorway lintels, cells built into the broch itself, and a series of outbuildings such as wags, wheelhouses and blockhouses.

“We wanted to capture a variety of features found in Broch construction from all over Scotland, so the design isn’t a carbon copy of any individual Broch but instead is a kind of chimaera of elements chosen for a number of reasons, ranging from structural robustness, health and safety, or purely because they were interesting. features.” said co-founder and director Iain Maclean.

Maclean also noted that there were “elements of the design such as the roof and the construction of the floors that had to be figured out with a degree of educated guesswork and speculation given that none of these survive in archaeological record”, remarking that their broch vision was “as honest an interpretation of what a Broch looked like as we may ever arrive at.”

It is hoped that the project will become an important visitor attraction for the region of Caithness, which has recently been projected to lose over 20% of its population over the next 20 years.

“This project will be a hugely important one for the county,” remarked CBP director Kenneth McElroy, “not only do we want this to become a sustainable and successful contribution to the economy of Caithness, but it could become an icon for the county too.”

Caithness Broch Project hope to acquire land for the construction of the broch within the next year, with funding sources from a variety of sources. By 2023 it is hoped they can begin their project in earnest, involving a wide range of skilled heritage craftspeople.

Digital reconstruction of an iron age broch – Caithness, Scotland. Image © Bob Marshall

For more on Caithness Broch Project, visit www.thebrochproject.co.uk
To view more of Bob Marshall’s work, please visit https://bobmarshall.co.uk/

Funding Success for Strathnaver Museum

Nicola Henderson Blog , , , , , , , , , 0 Comment
Museum set in a graveyard by the sea

Bettyhill based Strathnaver Museum secures funding from Wolfson Foundation

Strathnaver Museum, a popular visitor attraction on the North Coast 500, has been awarded £75,000 from the Wolfson Foundation towards their important refurbishment project. The community run museum has secured more than £2m in capital funding to refurbish the existing museum, create exhibition and workshop space to the rear of the Clachan graveyard, install accessible interpretation across the site, and deliver community research projects.

The group’s vision is to safeguard the future of the regionally important B listed historic building and the collection it houses while securing its important place in the community. For almost 46 years Strathnaver Museum has played a vital part in the community gathering, interpreting, and sharing the story of northwest Sutherland.

The refurbished centre aims to reveal the depth of human activity in northwest Sutherland over its 8,000 years of human occupation; create an engaging environment for formal, informal and lifelong learning; and improve accessibility to the heritage.
Thought to have been a site of ecclesiastical importance for over a thousand years the building more recently played a key role in the story of the Highland Clearances.

The Farr Stone (c.850AD) sits to the western gable of the building indicating the early Christian significance of the site; while the earliest written record of a church on the site dates from 1223. Recent archaeological investigations as part of planning conditions associated with the work have uncovered a wealth of late Iron Age / early Medieval material including a bronze pin, thought to be ecclesiastical in origin.

Bronze pin covered in mud, recently discovered from the ground

The land surrounding the site mark significant historic events that were pivotal to the establishment of Scotland as the unified nation we recognise today. A series of battles, at nearby Dalharald and at Farr close to the manse, between the forces of William and Harald of Orkney were instrumental in driving out the Norse Kingdom in the area to unify Scotland.

In more recent times the building is the site of eviction notices being read out to the congregation at the height of the Strathnaver Clearances in 1819. Later it was where crofters gathered in 1883 to give evidence to the Napier Commission which led to them receiving security of tenure through the Crofters’ Holdings (Scotland) Act 1886.

Tom Mackay, Strathnaver Museum Chair said: “We are delighted to have received this support from the Wolfson Foundation towards our vital refurbishment work. Strathnaver Museum is at an exciting crossroads, where our vision for a refurbished facility offers the opportunity for the museum to secure the future of our important historic building and reimagine its place in the community by expanding the services we can offer”.

Paul Ramsbottom OBE, Chief Executive of the Wolfson Foundation: “Wolfson places a great emphasis on providing funding across the whole of the UK. Strathnaver Museum is a place of significance for Scottish history and is deeply rooted in the community of northwest Sutherland. It is also a place of considerable beauty – and we are delighted to support a refurbishment project that will bring alive both history and location, as well as providing exciting opportunities for the local area.”

The capital funding package includes support from Natural and Cultural Heritage Fund, National Lottery Heritage Fund, SSE, Museum Galleries Scotland, Highlands and Islands Enterprise, Dounreay and the Caithness and North Sutherland Fund.

Help West Highland Museum bring Bonnie Prince Charlie home

Nicola Henderson Blog 0 Comment
picture of west highland museum from the outside

The West Highland Museum in Fort William is calling on the public to help bring a prestigious collection of paintings of the Royal House of Stuart from Europe to Scotland. 

The West Highland Museum in Fort William celebrates its centenary in 2022.  The museum hopes to stage a three-month exhibition of royal portraiture and has been offered exclusive access to a private collection of paintings owned by the Pininski Foundation, Liechtenstein.  The proposed exhibition will include thirteen paintings of four generations of the Royal House of Stuart, including James VIII (the Old Pretender) and his wife Princess Clementina Sobieska, through to Prince Charles Edward Stuart, better known as Bonnie Prince Charlie, and his daughter, Charlotte the Duchess of Albany.  The series of painting ends with Charlotte’s daughter Princess Marie Victorie de Rohan.  These paintings illustrate the actual family which inspired Jacobites to risk so much to pursue this ‘affair of the heart’.

In order to finance this important exhibition, the West Highland Museum team has embarked on an ambitious crowdfunding campaign. The campaign launches on Wednesday 13 October at midday on Art Fund’s Art Happens crowdfunding platform and runs until Monday 15 November.

Museum Director, Chris Robinson said “We need to raise £25,000 to cover the cost of delivering this exciting exhibition to the public in 2022.  We need your help in raising funds to make this happen and bring Bonnie Prince Charlie and the exiled Stuarts back to Scotland.  It will likely be the last time these iconic portraits will be displayed in the United Kingdom as they may soon be on permanent display at a European museum.”

Broadcaster and Historian Paul Murton, from the BBC Scotland’s Grand Tours of Scotland series, is backing the campaign and hosts the campaign video. You can help support the West Highland Museum by visiting their campaign page and donating.  There are fantastic rewards on offer for those who contribute, including tours of the exhibition with Professor Edward Corp and Art Historian Peter Pininski, and jewellery designed especially for campaign that has been inspired by the unique Lochaber landscape.   Other unique incentives on offer include hand-made coasters crafted from wood sourced from Achnacarry estate from the beech trees abandoned by the Gentle Lochiel, head of Clan Cameron, on the eve of the Jacobite Rising.  Lochiel went off to join the Rising, but never returned. The beech trees grew where they had temporarily been planted.  

The paintings have never before been displayed together in the United Kingdom and some have never before been exhibited here.  Others, such as a portrait of an elderly Prince Charles Edward Stuart by Hugh Douglas Hamilton, painted in Rome in 1786 were last displayed in Scotland in Glasgow in 1910.  The planned exhibition will also include the recently rediscovered portrait of a 16-year-old Bonnie Prince Charlie, by renowned Venetian artist Rosalba Carriera.  It is believed to be the only portrait of the Prince that pre-dates the 1745 Jacobite Rising.  The painting was first publicly displayed for a month at the National Museum of Scotland in 2019.  This will be a rare opportunity to see these paintings and to hear the story of the exiled Jacobites.  

The West Highland Museum plans to bring Bonnie Prince Charlie and the Stuarts back home to celebrate its 100th birthday.  Curator Vanessa Martin said “The museum is world famous for its Jacobite exhibitions and has built up an important collection since the museum’s inception in 1922.  In 1925 the museum held its first major public exhibition dedicated to the Jacobites and established itself as a Jacobite Museum. The Jacobite Rising started here in Lochaber with Prince Charles Edward Stuart raising his father’s Standard at Glenfinnan on 19 August to signal the start of the last Jacobite Rising. For our centenary we have been offered this wonderful opportunity by the Pininski Foundation to present a public exhibition of rarely displayed royal portraiture.”  As Chair of Directors, Ian Peter MacDonald explains; ‘An exhibition of this calibre and local relevance will bring pride to our community and inspire enthusiasts from all over to come and visit our town.’

To find out more about the crowdfunding campaign and how to donate visit: 

artfund.org/bonnie-prince-charlie  

#ReturnOfTheStuarts

Climate conversations hope to inspire museums to take the lead in tackling the environmental crisis

Nicola Henderson Blog , , , , , , , 0 Comment
Climate conversations hope to inspire museums to take the lead in tackling the environmental crisis

With all eyes on Scotland ahead of COP26 climate talks in Glasgow, people across the world are engaging in discussion on the climate emergency. For our museums and heritage organisations, action on climate change is as urgent as in any other sector as we all adjust and develop plans for the transition to a net zero economy.

Museums and Heritage Highland invite people to join two free online events asking what the route to a low carbon future is for museums and discussing how cultural organisations can inspire radical climate action in their communities.

Nicola Henderson from Museums and Heritage Highland said:

“Museums, heritage and the arts are in a unique position to address important climate issues across Scotland. We are fortunate to have cultural organisations at the heart of many of our local communities across the Highlands and these organisations can inspire and facilitate change.

“However, these events are not just for people involved in heritage in the Highlands, and we invite everyone to come along, join the debate and be inspired to take action.”

The first online event on 26 October will cover stories from the Existances project in Brazil, Taigh Chearsabhagh’s Lines project addressing rising sea levels in our island communities, COP26 Message in a Bottle and Message from Upernavik, Greenland and Fragile Planet, a major exhibition by artists Tony Foster at Royal Cornwall Museum.

On 2 November, the second online event will focus on the route to a low carbon future for small to medium-sized museums by sharing practical advice on energy reduction and implementing sustainability in the cultural sector by connecting people to a sustainable future through culture.

Helen Avenell, Museums and Heritage Highland, who will also moderate the events, added:

“We have invited speakers from all over the world to share their climate projects – projects that look beyond raising awareness of the challenges we face by helping find solutions and promote action. We take a look at the practical steps museums can take to make their businesses more sustainable. 

“At each event, speakers will give a short presentation before a panel discussion, and the audience can ask questions. We hope people will join us at these events and, from the information shared, feel confident to inspire action within their communities.”

These events are made possible by the #COP26Conversations fund developed in partnership with Museums Galleries Scotland, Historic Environment Scotland and Scottish Libraries Information Council.

More information on each event and tickets can be booked at https://www.eventbrite.co.uk/e/pathways-to-action-a-series-of-climate-conversations-tickets-180894659797

(Image at top courtesy of the Existances project, Brazil)

New website and leaflet highlight the rich Pictish Heritage of the Highlands

Nicola Henderson Blog , , , , , , 0 Comment
St Demhan's Cross, Creich © Ewen Weatherspoon

The rich Pictish heritage of the Highland Council area is being highlighted this week with the launch of a new website, app and leaflet encouraging local people and visitors to explore 32 Pictish sites along an expanded Highland Pictish Trail.

The Picts dominated north and east Scotland from around 400AD for about 600 years, and the carved stones they left in the landscape, with their mysterious symbols, carvings of animals, and, later, intricately-carved Christian crosses and images of bible scenes, battles and hunting, have been a source of fascination for hundreds of years, along with their network of hill forts.

The original Highland Pictish Trail, which dates back more than 25 years, has now been extended to include 32 of the area’s most impressive and accessible Pictish sites, including carved stones set in superb scenery, museums and visitor centres where you can see impressive and thought-provoking carved stones and Pictish objects, and the mighty hill fort of Craig Phadrig (on the outskirts of Inverness) with its amazing views over the Beauly Firth and towards the Great Glen. 

High Life Highland Chairman Ian Ross said: “This new project offers a great opportunity for residents and visitors to step back in time and discover life as it was 1,000 years ago. For many years, the Highlands were thought to be just an outpost of a Pictish kingdom in the Perthshire and Angus areas, but recent discoveries have shown the north was an important Pictish area in its own right – with major religious and royal centres of power, and strong links with Europe.

“I hope people will enjoy a weekend or during the upcoming school holidays learning about Pictish culture and society, whether through the app or by picking up one of the leaflets soon available from our museums or libraries.”

Chair of The Highland Council’s Tourism Committee, Councillor Gordon Adam said: ‘The new Highland Pictish Trail website www.highlandpictishtrail.co.uk not only provides information about all the sites on the Trail; it is also a unique guide to the latest expert thinking on Pictish culture and life in the north of Scotland and includes links to a wide range of online and printed sources of information for people who would like to find out more. In addition to the website, a new free app can be downloaded to help people explore Trail sites in a particular area or connected by a specific theme, while the new Highland Pictish Trail leaflet, which will soon be available in a range of local outlets including museums along the Trail, Visitor Information Centres and Highland libraries, is a handy free guide for when you are out and about or planning a Pictish-themed trip. And during the summer months, the Cromarty-Nigg ferry is a handy link between the Black Isle Pictish sites and Easter Ross sites of the Seaboard villages and the Portmahomack peninsula – a great day out!”

Dan Cottam, Chair of Museums and Heritage Highland said: ‘After all the stresses and strains of the last 18 months or so, the Highland Pictish Trail offers local people and visitors the chance to step back into a time when life in the Highlands was very different from today.  You can admire the skill of the Pictish stone carvers, think about what the symbols and images are telling us about life here more than 1,000 years ago, and enjoy beautiful scenery and fresh Highland air. Exploring the Trail – whether for an afternoon, a day, a weekend or a week – is also a chance to explore and enjoy the food, drink, crafts and atmosphere of the distinctive Highland communities along the route. It’s is a real opportunity to slow down, immerse yourself in a different world, and re-charge your batteries. As many of the sites on the Trail are on or close to the NC500 route, we hope that NC500 visitors will also take advantage of the chance to enjoy this fascinating aspect of Highland culture.”

The Highland Pictish Trail project is a partnership of The Highland Council, High Life Highland and Museums and Heritage Highland and has received financial support from the Highland Council, the National Lottery Heritage Fund and Museums Galleries Scotland. Museums and Heritage Highland will be maintaining and updating the website and app when the current project ends.

Kickstarting Glencoe Folk Museum

Nicola Henderson Blog , , , , , , , , 0 Comment
Kickstarting Glencoe Folk Museum

In this month’s blog we have invited Catriona, curator at Glencoe Folk Museum, and Connor, a Kickstart Trainee at the museum, to tell us how the Kickstart scheme has been working for them.

The Kickstart Scheme is perfect for a small museum like ours. At a time when we are beginning to work towards our Redevelopment Project, having another pair of hands to take on ongoing work like covering the front desk, cataloguing our collections and carrying out research has been invaluable. My colleague David and I both made our way into the heritage sector through similar schemes, so we are delighted to be able to give someone else the opportunity to gain the experience needed to start their museum journey!  Connor started with us earlier this year has been a major asset to the organisation. 

Hi! My name is Connor and I am the Kickstart Trainee at the Glencoe Folk Museum. As a Kickstart Trainee, I am working at the Museum for 6-months to get a taste of what it is like to work in a Museum and the Heritage sector. I’m very excited and grateful for this opportunity as I love to study history and I plan on working in museums in the future. 

The Kickstart Scheme is a government-funded programme aimed at 16-24 year olds on Universal Credit who are at risk of long term unemployment.

One of the reasons why I am enjoying this opportunity so much is because I don’t have a set role in the museum. My role can change day to day as I could be greeting visitors one day and cataloguing our collections the next. I’m thoroughly enjoying this as it is allowing me to get a much greater idea of what it is like to work ‘behind the scenes’ of a museum than if I was simply there to greet and direct visitors. 

I hope to find employment in the heritage sector in the future so this opportunity is giving me invaluable experience and a perspective that I wouldn’t have been able to find anywhere else. I still have a long way to go but these 6 months at Glencoe Folk Museum will set the wheels in motion for me.

My favourite aspect of history is that of 19th and 20th Century military history; everything from the uniforms to the kit and weapons. I have a fair amount of knowledge in regards to military equipment and items from that time but what I have the most knowledge in is firearms from that time. That is why I was thoroughly excited to have the opportunity to research and identify old, obsolete firearms from the 1850’s-90’s and a de-activated one from the Second World War that are in our collection. This is one of the best pieces of experience that I have gotten to date as this is the type of history and museum work that I love and would like to work in once I have the necessary qualifications.

Once I have completed my placement at the Museum, my plan is to join the Royal Navy as my main career path. As I have said, I’ve always had an obsession with the military and since I have grown up around boats and a nautical lifestyle, the Navy was the clear choice for me. One of the biggest reasons that I have chosen the Navy as my main career path is due to the education opportunities that are available. When I was in school, I wasn’t a very academic student as I preferred hands on learning to studying for hours on end. This led to me not getting the qualifications that I was hoping for and denied me the ability to enter University straight out of High School. The Navy allows you to study for a degree alongside your military service so I plan to study for a History degree during my service career.

Once I have left the Navy and gained my Degree, I plan to work in military oriented museums such as the Royal Armouries in Leeds, the Imperial War Museum at Duxford and The Tank Museum at Bovington. These particular Museums stand out to me as they often incorporate Re-enactment and Living History events into their displays and this is an aspect of the heritage sector that I think is an incredible idea and is one that I intend to take part in and enjoy.

All in all, I am beyond excited to be working at the Museum and once again I am so grateful to Catriona and David for giving me this opportunity that will give me a taste of, hopefully, what my career will look like in years to come.

Timespan nominated for Museum of the Year 2021

Nicola Henderson Blog , , , , , , 0 Comment
Picture of outside of Timespan museum - brown top half and yellow bottom half of building with the letters in yellow of the name (timespan) across the brown wood on the top half

The Timespan gang are beyond delighted and honoured to be shortlisted for this year’s Artfund Museum of the Year award for their programme and work during lockdown. The second Highland Museum (read about Gairloch Museum’s win here) in two years to make the cut for the biggest prize in the Museum world. 

Cultural institutions across the globe proved that culture is needed in the best, and worst, of times, and the Timespan gang responded with their best spirit and kept their community connected, engaged and active throughout with their online Real Rights exhibition telling the history of the parish within the intersecting framework of climate change and colonialism; YASS! Club @ Home where  village kids tackled big ideas in joyous ways in their Friday home-delivered activity packs, from growing their own veg and cooking for the village to making their own stargazing kits and learning about space commons; TYCI saved local teens from boredom with online workshops including investigative journalism and dj and radio broadcast skills; the People’s Mobile Archive kept our elders active and generated amazing new oral histories (shout out to Christine who initiated their mobile lending library) and their quarantine cooking show Recipes For A Disaster taught us how to prepare and make Billy Cowie’s famed lobster salad from local fish shack C Food & Eat (Don’s La Mirage meringues and Ann’s B&B brekkies are top of the list for the coming season).

Timespan Helmsdale Image © Marc Atkins / Art Fund 2021

The Chair of Timespan’s Board, Jean Sargent, says
“ I am absolutely delighted that Timespan has been shortlisted as a finalist for the Art Fund Museum of the Year. We have a very strong team here with an experienced board, an innovative staff and dedicated volunteers who along with our committed funders have all contributed to get us to this position. When lockdown struck, the team were quick to realise the difficulties this would entail and set about finding ways to overcome the physical closure of our museum. They worked alongside Helmsdale’s resilience group to provide enlightenment, entertainment and solace for everyone, young and old, in our community. Also, by digitising our latest exhibition and our museum offering they were able to entice a whole new global audience. Their hard work and commitment certainly deserves this prestigious accolade”.

We wish them luck for the final!

p.s. You can dry your dishes and decorate your walls with their Heritage Manifesto, which is featured on
beautiful new tea towels and posters.100% profits go to United Friends and Family Campaign (UFFC), a coalition of families and friends affected by deaths in UK custody.