highlandmuseums

Timespan nominated for Museum of the Year 2021

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Picture of outside of Timespan museum - brown top half and yellow bottom half of building with the letters in yellow of the name (timespan) across the brown wood on the top half

The Timespan gang are beyond delighted and honoured to be shortlisted for this year’s Artfund Museum of the Year award for their programme and work during lockdown. The second Highland Museum (read about Gairloch Museum’s win here) in two years to make the cut for the biggest prize in the Museum world. 

Cultural institutions across the globe proved that culture is needed in the best, and worst, of times, and the Timespan gang responded with their best spirit and kept their community connected, engaged and active throughout with their online Real Rights exhibition telling the history of the parish within the intersecting framework of climate change and colonialism; YASS! Club @ Home where  village kids tackled big ideas in joyous ways in their Friday home-delivered activity packs, from growing their own veg and cooking for the village to making their own stargazing kits and learning about space commons; TYCI saved local teens from boredom with online workshops including investigative journalism and dj and radio broadcast skills; the People’s Mobile Archive kept our elders active and generated amazing new oral histories (shout out to Christine who initiated their mobile lending library) and their quarantine cooking show Recipes For A Disaster taught us how to prepare and make Billy Cowie’s famed lobster salad from local fish shack C Food & Eat (Don’s La Mirage meringues and Ann’s B&B brekkies are top of the list for the coming season).

Timespan Helmsdale Image © Marc Atkins / Art Fund 2021

The Chair of Timespan’s Board, Jean Sargent, says
“ I am absolutely delighted that Timespan has been shortlisted as a finalist for the Art Fund Museum of the Year. We have a very strong team here with an experienced board, an innovative staff and dedicated volunteers who along with our committed funders have all contributed to get us to this position. When lockdown struck, the team were quick to realise the difficulties this would entail and set about finding ways to overcome the physical closure of our museum. They worked alongside Helmsdale’s resilience group to provide enlightenment, entertainment and solace for everyone, young and old, in our community. Also, by digitising our latest exhibition and our museum offering they were able to entice a whole new global audience. Their hard work and commitment certainly deserves this prestigious accolade”.

We wish them luck for the final!

p.s. You can dry your dishes and decorate your walls with their Heritage Manifesto, which is featured on
beautiful new tea towels and posters.100% profits go to United Friends and Family Campaign (UFFC), a coalition of families and friends affected by deaths in UK custody.

Lost Inverlael: A’ Lorg Baile Bhlàir – getting onsite!

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view of glen with community members standing in circle surveying site

We’re delighted to welcome back Ullapool Museum as guest bloggers to update us on their Lost Inverlael project as they finally get out onsite and surveying.

‘Lost Inverlael: A’ Lorg Baile Bhlàir’ is a two year community archaeology project run by Ullapool Museum to explore the lost Clearance townships of Inverlael and Balblair. Over the last six months we have been waiting with bated breath to get onsite for the first phase of the archaeology work. The lifting of lockdown measures in mid-May meant that we have now been out and about and making some really exciting discoveries! 

Over the last month we been working with volunteers from the local community and students from Ullapool High School to make a walkover survey, logging any identifiable structures or interesting looking features across the site. This involved using GPS to map each feature and then using poles and tapes to measure and record the details. This has been a huge task and the contribution of the volunteers has been really important. The site has never previously been recorded and the full extent of the township of Inverlael is only now being realised. It stretches across an area of more than two miles; from the visible remains on the current Inverlael Farm and into what is now plantation forest managed by Forestry Land Scotland. 

At the top of the glen, beyond the forestry land is the site of the township’s summer ‘shelings’. Sheilings were an important part of ‘transhumance’, a widespread Highland and European cattle herding practice. In the summer months many communities decamped with their domestic animals up to sheltered glens among the hills. This protected the crops growing in the township and the cattle could feed on sweet hill grass. And it was up here that we have made our best discovery to date… an illicit whisky still! We have a site visit planned in July with an expert research team to explore this site further… so watch out for further updates in the coming weeks!

Meanwhile we are continuing our research to find Inverlael descendants and exploring the archives to illuminate the rich history of this now forgotten Highland township.

Discover more about the ‘Lost Inverlael: A’ Lorg Baile Bhlàir’ project on our dedicated Facebook page and also here: 

https://ullapoolmuseum.co.uk/elementor-1498/

Read the first blog on the Lost Inverlael project here.

MYseum May

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MYseum May

Museums across the Highlands are welcoming back their local communities with free (or greatly reduced) entry, inviting them to see new exhibitions and acquisitions first!

To celebrate the reopening of museums, following COVID-19 lockdown restrictions, thirteen Highlands and Islands museums are taking part in a new MYseum campaign which sees them offering free (or reduced priced) entry to local residents for the month of May. 

Starting this Saturday (May 1) The MYseum campaign is designed to encourage residents local to each museum to rediscover the history and heritage on their doorstep and re-engage with their local museums, many of which have remained closed for the past year. 

Local museums, which are run primarily by volunteers, have been hit-hard during the pandemic as they rely heavily on income from visitors, but with support from XpoNorth Heritage and Museums and Heritage Highland many have worked hard during lockdown to reimagine their offering and produce engaging online content to stay connected to their communities – locally and internationally. Examples include Groam House Museum’s ‘Groam at Home’ collection which saw worldwide attendees discover and enjoy the museum’s content and its work to digitise the George Bain Collection, a recognised collection of national significance to Scotland. Highland Folk Museum launched its Badenoch Shinty Memories project and an online exhibition titled ‘Am Baile’ and West Highland Museum created a digital gallery in partnership with the University of St Andrews showcasing 100 objects in its collection.

As lockdown restrictions ease, local museums are eager to welcome visitors back to their venues by extending a warm welcome to local families. Some of the museums taking part in the initiative include Glencoe Folk Museum, which is putting its hugely popular Clan Donald Genealogical Chart on display; Museum of the Isles, Armadale Castle, Skye, which is launching a new outdoor learning space in early summer for Covid-safe family activities and events; Art Fund Museum of the Year, Gairloch Museum which has a new animation on the Gille Dubh, narrated by Sam Heughan, a new exhibition on Botanical Art by Cindie Reiter and a new photography exhibition, Scotland from the Sky to share; Highland Museum of Childhood, which will be unveiling its new main gallery following a lockdown refurbishment; Dingwall Museum, which will be opening with a fantastic new installation of the Conan Pictish Stone; Cromarty Courthouse Museum, which has installed a new digital sound system over lockdown and is launching a new soundscape experience, scripted and voiced by local people; Groam House Museum is launching with a fascinating exhibition, The Book Of Kells, Some Mysteries Revealed, exploring how The Book of Kells has inspired two specific artists and craftspeople: George Bain and Thomas Keyes; Inverness Museum and Art Gallery has created a dog-themed family trail around the museum to launch its latest acquisition: ‘On the Moors’ – an oil painting by Richard Ansdell; and Grantown Museum has a brand new Victorian  gallery to explore, ‘Grantown: 1882’ including 21 gorgeous replica costumes on display ready for its ‘Adventures in Costume’ project to begin. 

Six further museums, Castlehill Heritage Centre, West Highland Museum, Wick Heritage Museum, Brora Heritage Centre, Tain Museum and Nairn Museum are all expected to re-open in June. 

Talking about the MYseum campaign, Nicola Henderson, Heritage Sector Specialist at XpoNorth said: ‘’The independent museum sector has been hard hit during the pandemic with some museums not being open since the end of 2019. However, with support from organisations such as XpoNorth and Museums and Heritage Highland, all have been very agile in finding new ways to engage online and through collaborating with each other on activities such as the beautiful Highland Threads exhibition, showcasing 14 costumes from across the region through video and photography, and the Highland Objects podcast series. Now they are ready to welcome back visitors and they want to start with their local community. Staff, volunteers and visitors will all be nervous as we adjust to visiting venues again so their invitation to the community is to say thank you and welcome back, allowing them to engage with their exhibitions and new objects on display first and to help build confidence for all in this new world.’

Museums are offering free or reduced entry for local residents on presentation of proof of address. Re-opening dates vary. For detailed information on opening times and booking policies, please contact the museum directly before travel. 

-ENDS-

Museum Details 

Glencoe Folk Museum. 

Reopening 13th May – Thurs-Sunday only, 11-3pm, last entry 2.30pm. 

Free entry to locals

Museum of the Isles, Armadale Castle, Skye. 

Reopening – 26th April. Open daily 9.30 – 17.30, museum 9.45 – 17.00

Paid entry for all – but significant discounts for locals (Skye, Lochalsh, Mallaig) 

Gairloch Museum

Reopening – 27th April

Free entry for locals from April 27 to May 15 – contact the museum on 01445 712 287 or by email to office@gairlochmuseum.org to arrange your booking. 

Ullapool Museum

Reopening – 30th April – 22nd May for Locals 

Free access for locals, but donations welcome.

Castlehill Heritage Centre 

Reopening – early/mid June  

Entry always free to all – donations welcome.  Fully accessible and ample parking.

Wick Heritage Museum. 

Reopening 4th June

Free entry to locals for first 2 weeks

Timespan 

Reopens on May 17th, 2021
Price: Adult £4, Concession £3, Child£2, Family£10 (2 adults & 2 children), Group concession (over10 people) £2.65, Group £3.50 (over 10 people), School group £1.75.

Free entry to locals and members.

Opening times: every day, 10am – 5pm.
Please note, the museum and cafe capacity have been reduced to ensure social distancing. You can book a slot in advance by contacting us on 01431 821327 | enquiries@timespan.org.uk

Brora Heritage Centre

Re-opening: End June (date TBC

Historylinks Dornoch. 

Reopening – Monday 26th April. 

Admission £4 for adults £3.00 for concessions. Members and children are free. We have a limit of 10 people in the museum and this is controlled by a traffic light system. Online booking is available but not essential.

Open day with free admission to the local community on Saturday 22nd May (TBC)

Tain Museum

Reopening – 28th June. Free for locals

Tarbat Discovery Centre

Reopening – 1st May.  pre booked visits only for up to 6 individuals from two households. Please go to https://www.tarbat-discovery.co.uk/booking-formpage to view the available times and book your visit. 

Highland Museum of Childhood

Reopening – Thursday 20th May and will be open Thursday to Saturday, 11:00-16:00 and Sundays, 12:00-16:00. 

Free access to all for May.

Dingwall Museum

Reopening – mid May, exact date TBC. 

Free for all

Cromarty Courthouse Museum

Reopening on Saturday 29th May, our 2021 season will run to Thursday 30 September.

Opening hours: 12.00am – 4.00pm on Tuesdays, Wednesdays, Thursdays, Saturdays and Sundays plus Bank Holiday Mondays. Closed on Mondays and Fridays.

Free admission to all.

Groam House Museum

Groam House Museum, High Street, Rosemarkie IV10 8UF
https://groamhouse.org.uk

Reopening 1st May – weekend afternoons only. Additional opening over the summer. Please book via our website or at the museum.

Entry to the museum is free. 

Inverness Museum and Art Gallery 

Reopening – 27th April. Entry by donation. Booking is advisable (as we have a maximum capacity) but not essential. 

Tuesday – Saturday: 10.00-13.00 and 13.45-17.00  (last booking at 16.00)

Sunday & Monday: CLOSED

Highlanders Museum, Fort George

Reopening – 30th April, everyday from 10am. Entry to museum is free, but you do have to pay to enter Fort George – unless you become a member of the museum (£10 a year) then you can get full free entry. https://www.thehighlandersmuseum.com/

Nairn Museum 

Reopening – start of June (TBC Thursday 3rd) Limited day of opening,  Thursdays, Fridays and Saturdays, 11-3pm

Grantown Museum 

Reopening – 1st May, everyday apart from Tuesdays. Free access to all in May

Highland Folk Museum 

Reopening – 5th May, entry by donation.  7 days 10am – 5pm

Collaborative Project links:

Highland Threads – www.HighlandThreads.co.uk

Highland Objects – https://highlandobjects.wordpress.com/

Thanks to Gairloch Museum for the picture – featured are the Front of House team Eilidh Smith, Beryl Seaman and Barbara Mackenzie

Reflecting on Highland Threads

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Reflecting on Highland Threads

Catriona Davidson, curator at Glencoe Folk Museum, writes about being part of the Museums and Heritage Highland Network and getting involved in the Highland Threads Exhibition.

Being part of Museums and Heritage Highland has been fantastic for Glencoe Folk Museum. As a small museum with only one full-time member of staff (myself, though the past couple of years we have employed a Redevelopment Manager), having access to the resources, expertise and advise of staff across a range of Highland museums has been invaluable. 

Highland Threads is a great example of how MHH has helped smaller museums. We chose to put forward our 18th Century Spitalfields Silks dress for the exhibition, partly because it is the most beautiful item of costume in our collection and partly because it required more work than can be done with just one member of staff. The dress has been on an inappropriate and unsuitable mannequin for years: it was the wrong shape for the style and was putting strain on the already damaged silk. Previous attempts to remove or improve the dress led us to the conclusion that once it was removed from its current mannequin it would not be going back on, and we didn’t want to handle the fragile material more than once. That meant that before we did anything we needed a suitable replacement mannequin, the assistance of a conservator to direct us in how to handle the dress and to make a condition assessment while it was loose, the input of someone who could tell us how the dress would have been worn so that we could fashion the mannequin appropriately, plus funding for all of the above! So, when Highland Threads came along, it seemed like the perfect opportunity for us to achieve something that we had been working towards for years, while also getting to contribute to a fantastic collaborative project. 

  • Before
  • During
  • After

Another unexpected bonus for us was that we discovered more about the history of our dress. This dress has very little provenance other than that the silk was woven probably in Spitalfields in 1740, and it was being used as a dressing up costume (and was put in the washing machine!) before being donated to the museum in the 1970s. However when MHH took on the services of Rebecca Olds, a Dress Historian with particular expertise in 18th Century costume, she was able to read the history of the dress in its stitches, tucks and threads, painting a detailed picture of a well-loved gown that was passed down through different generations and fashions. It is so much more than we ever expected when we joined this project, and certainly much more than we would have likely achieved by ourselves.   

Seeing our dress up on the website alongside beautiful, intricate and fascinating items from other museums makes us really feel like part of a Highland museum community, and we’re so grateful to MHH for creating opportunities like this for small museums. 

You can visit www.highlandthreads.co.uk to see the full exhibition and support Highland Museums.

Highland Threads…Getting Inventive in Glencoe

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Highland Threads…Getting Inventive in Glencoe

This week we are joined by conservator Rachael Thomas who has worked with our museums to provide some much needed love and care for some of the costumes and to assist with mounting them before their image was to be captured.

When I was first asked if I would be interested in helping to mount some costumes for an upcoming project I jumped at the chance. I feel very privileged that over the years I’ve been given the chance to have a nosey within the stores of many of the museums involved, but even for me it’s pretty rare to get a chance to look at costumes and textiles as, being some of the most fragile things we care for, they are often packed away to avoid damage from light and handling.  

Working with museums across such as huge area initially sounded daunting, especially given that the distance between the most northern and southern venue is almost 200 miles. But it’s a credit to every museum within the area that with enthusiasm and pragmatism they were able to transport items to a few key hubs in the more rural areas. In each museum an open area suitable for mounting and photography was found or created, and where possible I was provided with photographs of the costumes being worn by their original owners which helped to give me a background on what I was looking to achieve.

On paper there isn’t much to putting a costume on a mannequin – any areas that require more support are padded with polyester wadding which is sewn on to the mannequin, and a cover material is added to ensure that the wadding doesn’t snag on to the interior of the costume. But when it comes to mounting historical clothing the standard size of mannequin often doesn’t represent who a dress was made for, especially when you factor in tiny waists and small statures. And within this collection of costumes three of the dresses have also been modified by family members of their first owner. As very specific shapes for a very specific person, getting these items to look correct on a modern mannequin was often both tricky and time consuming. The undergarments also play a huge role in supporting these unusual shapes. There’s always an element of ‘make do and mend’ when working within small museums, and in the case of creating the exaggerated sides of the Glencoe silk dress we knew that no matter how much polyester wadding we used it would never be enough, so we ended up with a full-sized bustles on either side of the mannequin.

What’s always great about doing an exhibition is that not only do we get to show off some of our objects that otherwise would be within store, but also that by collaboration we can learn so much more about the objects themselves. In this case, being able to remove Dornoch’s silk dress from it’s previous mount gave us a chance to scrutinise the interior stitching, which in turn tells a story about how the upper part of the dress has been modified over the years. It was incredibly odd to be looking at a dress in Dornoch, using my phone to show dress historian Rebecca Olds in Sussex, what the interior stitches look like. Within only a few minutes of this she was able to confirm that fewer alteration had been made than she had previously though. What a brilliant use for technology and what a rewarding experience knowing that my work can in turn help inform Rebecca, the museum’s curator and everyone else out there with an interest in this dress.

I think there can sometimes be a misunderstanding that people who work within museums would ideally like everything packed away in safety, in a dark, locked storeroom. But that’s not true – the delight on the faces of staff and volunteers who were able to see their costumes out of boxes and mounted ready to be shown to the world was a real reward. With such amazing collections, and interest from across the world, I hope this is the first of many excuses to have a rummage around our collections and share some more of the gems we have hidden within museums across the Highlands. 

Launching 1 April 2021, Highland Threads exhibition will be found at www.highlandthreads.co.uk, but until then you keep up to date with progress here (on the MHH site) and across social media using #HighlandThreads. Book tickets for the launch here.

Our partner museums are: Glencoe Museum, Inverness Museum & Art Gallery, Gairloch Museum, Ullapool Museum, Grantown Museum, West Highland Museum, Highland Museum of Childhood, Castlehill Heritage Centre, Tain through Time, Wick Heritage Museum, Highland Folk Museum, Groam House Museum, Strathnaver Museum and Dornoch Historylinks.

Highland Threads…Many a Mickle Maks a Muckle

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Dan helping to mount swimming costume from the Highland Museum of Childhood with the George Bain jumper in the foreground

This week Dan Cottam, chair of MHH and manager at Grantown Museum, tells how a small idea led to the development of new projects in a pandemic – both for his own museum and for MHH in the form of Highland Threads.

Over the past couple of years, we (the exceedingly small team at Grantown Museum) have been focussing our work on our collection; catching up on an ever-growing backlog of cataloguing, beginning the process of digitisation and generally sorting and tidying our store which has been sadly neglected in the previous few years when we have been prioritising more ‘front of house’ activity. A chance conversation, about what I now forget, led to me directing a volunteer to have an explore through our costumes which lie neatly packed away in acid free tissue paper, in archival grade boxes (thanks to a previous funded project) but are seldom, if ever, looked at. Many a happy, subsequent hour was spent, alone in the store by our fascinated volunteer, admiring an eclectic mix of Victorian dresses, military uniform, baby clothes, underwear, arisaids, lace shawls, muffs and fox-headed stoles. 

‘To save double handling them,’ I asked her, with a cunning plan coming to mind, ‘….as you go through them, can you take measurements, do a rough condition check, photograph them and compile a spreadsheet of data ready to go onto the digital catalogue?’   (not too much to ask of a dedicated volunteer is it?)

Revisiting this forgotten, yet comparatively organised corner of our store made me wonder about exhibiting some of our costume, and quickly remember the barriers and challenges to doing this. We don’t have many mannequins, costumes are vulnerable to environmental conditions and moreover, while the clothes are nice to look at, they mostly don’t have contextual information or provenance attached from which to make a good story worthy of an interesting exhibition. 

I also thought – ‘I wonder what other costume highland museums have in their collections?’

 So, I found myself in the new style meeting, me at my kitchen table and 12 other people crammed into my laptop, asking my colleagues from the highland museum sector – “ do any of you lot have any interesting costume in your collections? And the rest, as they say, is (literally) history!

That fateful meeting from which Highlands Threads was born and would grow arms and legs was a heritage café, a series of informal meetings organised by Museums and Heritage Highland for the people who run Highland museums at the time when we suddenly all found ourselves cloistered at home running closed museums. They were set up to respond to the isolation, intrepidation and confusion that we all felt in the early days of lockdown (which many of us are still feeling a year later) and while it felt a bit weird to begin with, has proven to be a hugely valuable and engaging fortnightly catch up.  Curiously, I feel that I have got to know my peers in the sector better through this remote medium than at the many ‘old style’, quarterly sector gatherings in Inverness  I have attended where we only really got to chat informally during coffee breaks and lunch. A simple device, that was available to us before (although who’d even heard of zoom before March last year?) has proved revolutionary in many ways, not least in making collaborative working across a geographically disparate group of people considerably easier, more equitable and far less time consuming.  I’m very much looking forward to being in a room full of people again, it will happen one day, but I believe that we are now ,far better equipped to create more wonderful collaborative projects, using ever more clever technologies as the collective energies, skills and knowledge of Highland museums prove the idiom that many a mickle maks a muckle.

 Thanks to Museums Galleries Scotland and that dedicated volunteer, Grantown’s costumes collection can be found here: 
Search object results on eHive

 And Grantown Museum’s new  Adventures in Costume – grown up dressing up can be found here:
adventures in costume – Grantown Museum  

Launching 1 April 2021, Highland Threads exhibition will be found at www.highlandthreads.co.uk, but until then you keep up to date with progress here (on the MHH site) and across social media using #HighlandThreads. Book tickets for the launch here.

Our partner museums are: Glencoe Museum, Inverness Museum & Art Gallery, Gairloch Museum, Ullapool Museum, Grantown Museum, West Highland Museum, Highland Museum of Childhood, Castlehill Heritage Centre, Tain through Time, Wick Heritage Museum, Highland Folk Museum, Groam House Museum, Strathnaver Museum and Dornoch Historylinks.

Highland Threads…Photographer on the move

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Jim Dunn photographing a gansey from Wick Heritage Centre

As part of the Highland Threads project, Museums and Heritage Highland offered each participating museum conservation expertise, professional photography and promotion. Many smaller museums struggle to access these services, so contracting sector professionals to work across the project and individually with each participating museum is affordable and proves excellent value for our members. For this third blog in our series Jim Dunn, professional museum photographer, tells of his travels across the Highlands during a pandemic to capture all the beautiful costumes on camera for the online exhibition.

One of the delights for me working on the Highlands Threads project has been how organised each of the museums I visited have been. The West Highland Museum had even arranged with the traffic warden for me to be allowed to park in the pedestrian area outside the front door of their building, a trivial thing you might think, but when your car is bulging at the seams with all the paraphernalia required to set up a temporary studio for photography and video, small things like that bring a smile to my face. 

Helen Avenell takes credit for arranging all my visits, the constantly changing situation due to Covid meant that access dates had to be moved or cancelled and as I type, we wait with bated breath hoping lockdown will allow us access to one final piece of costume – talk about drama! 

Every visit that could be arranged went very smoothly. I was welcomed by staff or volunteers, safety precautions related to Covid were discussed and implemented where required, I was then shown to a space that in every case was suitable for me to set up my background and lights – perfect!  

Talking of backgrounds, at an early stage of the project it was decided that a black background would be used for all the photography and video. Not a big challenge I thought, lots of light coloured outfits, maybe a couple of military uniforms that might be a bit tricker to light against the black. But no, a few wags thought it might be amusing to make things more interesting for me and give me more of a challenge! “lets look out that funeral dress, yes the ‘black’ one” – “what about a nice pullover, yes the one with the great story, the ‘navy blue’ one… “. 

Photographing a Fisherman’s Gansey at Wick Heritage Centre

But all joking aside I do like a challenge and in the end I was pleased how all the outfits turned out, whether dark or light in tone.  

Another person whose work made my job infinitely easier was conservator Rachael Thomas. I often arrived at a venue a day or two after Rachael to find a beautifully dressed mannequin ready for photography or that could be placed on my turntable for the 360deg videos. 

This has been an interesting project for me, not just the logistics and the disparate venues, but the beautiful costumes and in particular meeting so many dedicated staff and enthusiastic volunteers. 

Launching 1 April 2021, Highland Threads exhibition will be found at www.highlandthreads.co.uk, but until then you keep up to date with progress here (on the MHH site) and across social media using #HighlandThreads.

Our partner museums are: Glencoe Museum, Inverness Museum & Art Gallery, Gairloch Museum, Ullapool Museum, Grantown Museum, West Highland Museum, Highland Museum of Childhood, Castlehill Heritage Centre, Tain through Time, Wick Heritage Museum, Highland Folk Museum, Groam House Museum, Strathnaver Museum and Dornoch Historylinks.

Highland Threads…It’s all about collaboration

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Highland Museums project meeting on Zoom

Highland Threads was conceived during one of our regular Museums and Heritage Highland Heritage Café Zoom sessions, sometime back in June 2020. Back then, many of our conversations were around practical issues in responding to the Covid pandemic. How were our communities coping, what funding resources were out there… and how might it ever be possible to open our venues again?!

At some point during one of these chats, Dan Cottam, Manager at Grantown Museum, mentioned their costume collection, much of nestled safely away in archive boxes rather than on display. Wouldn’t it be great to work together on a way to showcase some of these amazing costumes? The conversation sparked an energy in everyone at the meeting. This was an opportunity to pause the stressful discussions around PPE, hand sanitisers and reopening toilets and to do what most of us do best… think creatively about our collections and how we can share them with our audiences!

MHH worked really quickly to put a project plan together responding to this creative call to action. This would be a digital exhibition centred around Highland costume, with a focus on finding creative ways to support museums both financially but also with practical outputs like conservation and photography advice that would have a lasting impact. We put a call out to all Highland museums to share their costumes and stories and to join us in a collaborative, co-curated project. Fourteen museums responded, from Castlehill Heritage Centre on the north Caithness coast, to Glencoe in the southern Highlands. 

We were really keen to take our lead from the museum partners and not set any boundaries on the choice of costume, other than it having a story to tell. The idea of having fourteen different museum voices shaping a project might have been seen as a risk, but the Heritage Cafes had already shown the strong collective voice of our Highland museums and their desire to work collaboratively. 

The energy of the project has been amazing. It has brought together the largest and smallest of our museums in an innovative project that showcases some of the most fascinating, intriguing and often previously unknown costume in Highland museums. Although tartan does feature on one object, most of our objects tell stories that audiences might not traditionally associate with the Highlands. Our programme of events and talks will also illuminate some of the hidden stories behind the costume. We hope audiences will be as excited to view the exhibition as we have been to develop it and we look forward to the possibilities of more innovative collaborative work between our Highland museums in the future.

Launching 1 April 2021, Highland Threads exhibition will be found at www.highlandthreads.co.uk, but until then you keep up to date with progress here (on the MHH site) and across social media using #HighlandThreads.

Our partner museums are: Glencoe Museum, Inverness Museum & Art Gallery, Gairloch Museum, Ullapool Museum, Grantown Museum, West Highland Museum, Highland Museum of Childhood, Castlehill Heritage Centre, Tain through Time, Wick Heritage Museum, Highland Folk Museum, Groam House Museum, Strathnaver Museum and Dornoch Historylinks.

Introducing…Highland Threads

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Introducing…Highland Threads

Highland Threads was conceived at a Highland Heritage Cafe – a regular online meet-up for people working in heritage in the Highlands. We share ideas, discuss issues affecting our sector and find ways to support each other. This support could be as small as recommending a supplier or, like Highland Threads, an ambitious plan for an innovative digital partnership project. 

Unsurprisingly, recent discussions have focused on the effects of COVID-19 on our sector. How can we work together to support museums struggling with the financial implications of temporary closure, furloughed employees and a significant reduction in volunteer contribution? How can museums provide access to collections and generate income while the uncertainty of lockdown and travel restrictions made planning exhibitions and events almost impossible? 

Part of MHH’s remit is supporting museums to employ and develop digital technologies to allow access to collections, increase audiences, and generate income. So, it seemed fitting to nurture an idea using digital tools to address some of the issues our member museums are experiencing.

Through further discussion at the Heritage Cafe, it was agreed that plans for an online exhibition focusing on a costume from each museum’s collection would be developed and funding sought to support the work. 

A successful bid by Museums and Heritage Highlands to the National Lottery Heritage Fund Resilience Fund provided a green light and Highland Threads was go!

Our collective vision for the project is to use collections to support museums in these difficult times. Driving new and existing audiences to our museums whether they are open or closed; help museums find new ways of creating income streams; and open up access to collections in a manageable, sustainable and engaging way.

By employing innovative digital technologies and contracting sector professionals to produce an exceptional product, Highland Threads reflects the quality museums and diverse collections found across the Highlands. 

Launching 1 April 2021, Highland Threads exhibition will be found at www.highlandthreads.co.uk, but until then you keep up to date with progress here (on the MHH site) and across social media using #HighlandThreads.

Our partner museums are: Glencoe Museum, Inverness Museum & Art Gallery, Gairloch Museum, Ullapool Museum, Grantown Museum, West Highland Museum, Highland Museum of Childhood, Castlehill Heritage Centre, Tain through Time, Wick Heritage Museum, Highland Folk Museum, Groam House Museum, Strathnaver Museum and Dornoch Historylinks.

Strathnaver Museum secure major funding boost

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Strathnaver Museum secure major funding boost

Strathnaver Museum has taken a major step forward in realising their vision for creating a world class visitor attraction on the north Sutherland coast after securing £113,157 from Museum Galleries Scotland’s Recovery and Resilience Fund.

As well as supporting the future aspirations and recovery of the popular visitor attraction the funding will help cover operational costs during the 2020 closure as a result of the COVID-19 pandemic.

Project Manager, Fiona Mackenzie said “Strathnaver Museum secures 76% of its income from admissions and retail sales so the closure of the museum has had a significant impact on our income generation over 2020. The closure could have had a significant impact on our reserves which have been built up over many years to help fund our much-anticipated refurbishment programme. This welcome funding from MGS will ensure that we enter 2021 in a strong position and are able to carry forward our essential refurbishment programme”.

The funding granted towards recovery will enable Strathnaver Museum to undertake crucial survey work to progress plans for the refurbishment and repair of Strathnaver Museum. The development project will make much needed repairs, improve access to the site and its collection, create additional spaces for community projects and help the Trust to improve its sustainability. 

Lucy Casot, CEO of Museums Galleries Scotland said:

“We are pleased to support Strathnaver Museum through the Recovery and Resilience Fund. They have faced severe difficulties caused by the pandemic, but none the less have continued to make exciting plans for their substantial refurbishment programme to become a heritage hub for North West Sutherland.

We are delighted that this fund will support the museum to continue their development as an important hub for regional heritage and an asset for their rural community.”

Strathnaver Museum’s building dates from the mid-18th century and is an important part of the Highland Clearances story. From the pulpit which still dominates the main room, Rev David Mackenzie read out eviction notices to his congregation. Later in 1883 crofters and cottars gathered to give evidence to the Napier Commission which eventually led to them gaining security of tenure.

Strathnaver Museum have secured £1.06 million of the £1.9 million capital funding costs which will secure the building, create a new agricultural annex building and see new interpretation installed across the site. The group are awaiting the outcome of a number of funding applications and have launched a Crowdfunder to help meet an anticipated £30,000 funding gap.

The team are offering some exclusive rewards as part of their Crowdfunder including money off vouchers, behind the scenes tours and the chance to have your name displayed in the refurbished museum. You can contribute to the Crowdfunder here: https://www.crowdfunder.co.uk/refurbishment-of-strathnaver-museum


2019-01-30 Strathnaver Museum volunteers with architect Catriona Hill at a consultation event discussing refurbishment plans in January 2019