GLENCOE FOLK MUSEUM GIVES SNEAK PREVIEW OF NEW EXHIBITIONS 

<strong>GLENCOE FOLK MUSEUM GIVES SNEAK PREVIEW OF NEW EXHIBITIONS </strong>

Design work is rapidly advancing on Glencoe Folk Museum’s £1.3m lottery-funded redevelopment, scheduled to open in 2023. Peter Drummond architects and Mather & Co. exhibition designers are working with staff and the local community to create a vibrant attraction, fit for the 21st century whilst retaining the traditional look and much-loved charm of the original.

Founded in the 1960s by members of the community, the Museum holds over 6,000 artefacts and chronicles daily life in the Glencoe area between the 17th and 21st centuries, telling stories relating to themes such as industry, conflict, childhood and sport, as well as Jacobite uprisings, Clan history and of course the Massacre of Glencoe. The redevelopment plans include the erection of a new building at the back of the Museum’s historic listed cottages, creating a new reception area, gift shop and exhibition space. Improving visitor access is a key priority, as is improving the display conditions of the more vulnerable objects in the collection.

A highlight of the new displays will be an immersive, state-of-the-art projection and audio feature placing visitors in a MacDonald cottage on the night of the infamous 1692 Massacre of Glencoe. This emotive exhibition will bring to life the personal stories of the Massacre and give a clear understanding of the religious, political and cultural environment that allowed such an atrocity to take place.

Project Director, David Rounce, said;
 ‘There’s a lot of work ahead, including fundraising and shortly seeking planning permission, but we’re well on-track to make a museum that will be a real hub for local heritage – bringing Glencoe’s unique history to life for the community and our visitors from around the globe’.

The redevelopment will also restore the Museum’s listed 18th century cottages, the only surviving genuine heather-thatched structures in the area. Funding from the Pilgrim Trust has been secured to renew the thatch and help the Museum ensure its long-term preservation. It is planned to complement this traditional natural roof with a new “ living” roof on the extension.

Catriona Davidson, Curator, added;
 ‘We’ve been talking about this project since I started working here over 5 years ago,  so it’s really exciting to finally be able to share our plans  as everything comes together! Behind the scenes we’re busy researching, choosing artefacts and gathering stories. We’ve also been running community consultation sessions – we really want our museum to reflect the community that created it so it’s important to us that we are sharing as many local voices as possible”

Highlights of the Museum’s collection include a “coffin boat” once used to transport bodies to the Clan burial island of Eilean Munde, a beautiful 1740s silk dress, woven at Spitalfields and passed down the generations of a local family, a replica of the mysterious bronze-age Ballachulish Goddess and a large genealogical chart depicting the branches of Clan Donald. 

The Museum will open for the 2022 season on Saturday 2nd April. 

Kickstarting Glencoe Folk Museum

Kickstarting Glencoe Folk Museum

In this month’s blog we have invited Catriona, curator at Glencoe Folk Museum, and Connor, a Kickstart Trainee at the museum, to tell us how the Kickstart scheme has been working for them.

The Kickstart Scheme is perfect for a small museum like ours. At a time when we are beginning to work towards our Redevelopment Project, having another pair of hands to take on ongoing work like covering the front desk, cataloguing our collections and carrying out research has been invaluable. My colleague David and I both made our way into the heritage sector through similar schemes, so we are delighted to be able to give someone else the opportunity to gain the experience needed to start their museum journey!  Connor started with us earlier this year has been a major asset to the organisation. 

Hi! My name is Connor and I am the Kickstart Trainee at the Glencoe Folk Museum. As a Kickstart Trainee, I am working at the Museum for 6-months to get a taste of what it is like to work in a Museum and the Heritage sector. I’m very excited and grateful for this opportunity as I love to study history and I plan on working in museums in the future. 

The Kickstart Scheme is a government-funded programme aimed at 16-24 year olds on Universal Credit who are at risk of long term unemployment.

One of the reasons why I am enjoying this opportunity so much is because I don’t have a set role in the museum. My role can change day to day as I could be greeting visitors one day and cataloguing our collections the next. I’m thoroughly enjoying this as it is allowing me to get a much greater idea of what it is like to work ‘behind the scenes’ of a museum than if I was simply there to greet and direct visitors. 

I hope to find employment in the heritage sector in the future so this opportunity is giving me invaluable experience and a perspective that I wouldn’t have been able to find anywhere else. I still have a long way to go but these 6 months at Glencoe Folk Museum will set the wheels in motion for me.

My favourite aspect of history is that of 19th and 20th Century military history; everything from the uniforms to the kit and weapons. I have a fair amount of knowledge in regards to military equipment and items from that time but what I have the most knowledge in is firearms from that time. That is why I was thoroughly excited to have the opportunity to research and identify old, obsolete firearms from the 1850’s-90’s and a de-activated one from the Second World War that are in our collection. This is one of the best pieces of experience that I have gotten to date as this is the type of history and museum work that I love and would like to work in once I have the necessary qualifications.

Once I have completed my placement at the Museum, my plan is to join the Royal Navy as my main career path. As I have said, I’ve always had an obsession with the military and since I have grown up around boats and a nautical lifestyle, the Navy was the clear choice for me. One of the biggest reasons that I have chosen the Navy as my main career path is due to the education opportunities that are available. When I was in school, I wasn’t a very academic student as I preferred hands on learning to studying for hours on end. This led to me not getting the qualifications that I was hoping for and denied me the ability to enter University straight out of High School. The Navy allows you to study for a degree alongside your military service so I plan to study for a History degree during my service career.

Once I have left the Navy and gained my Degree, I plan to work in military oriented museums such as the Royal Armouries in Leeds, the Imperial War Museum at Duxford and The Tank Museum at Bovington. These particular Museums stand out to me as they often incorporate Re-enactment and Living History events into their displays and this is an aspect of the heritage sector that I think is an incredible idea and is one that I intend to take part in and enjoy.

All in all, I am beyond excited to be working at the Museum and once again I am so grateful to Catriona and David for giving me this opportunity that will give me a taste of, hopefully, what my career will look like in years to come.

Reflecting on Highland Threads

Reflecting on Highland Threads

Catriona Davidson, curator at Glencoe Folk Museum, writes about being part of the Museums and Heritage Highland Network and getting involved in the Highland Threads Exhibition.

Being part of Museums and Heritage Highland has been fantastic for Glencoe Folk Museum. As a small museum with only one full-time member of staff (myself, though the past couple of years we have employed a Redevelopment Manager), having access to the resources, expertise and advise of staff across a range of Highland museums has been invaluable. 

Highland Threads is a great example of how MHH has helped smaller museums. We chose to put forward our 18th Century Spitalfields Silks dress for the exhibition, partly because it is the most beautiful item of costume in our collection and partly because it required more work than can be done with just one member of staff. The dress has been on an inappropriate and unsuitable mannequin for years: it was the wrong shape for the style and was putting strain on the already damaged silk. Previous attempts to remove or improve the dress led us to the conclusion that once it was removed from its current mannequin it would not be going back on, and we didn’t want to handle the fragile material more than once. That meant that before we did anything we needed a suitable replacement mannequin, the assistance of a conservator to direct us in how to handle the dress and to make a condition assessment while it was loose, the input of someone who could tell us how the dress would have been worn so that we could fashion the mannequin appropriately, plus funding for all of the above! So, when Highland Threads came along, it seemed like the perfect opportunity for us to achieve something that we had been working towards for years, while also getting to contribute to a fantastic collaborative project. 

Another unexpected bonus for us was that we discovered more about the history of our dress. This dress has very little provenance other than that the silk was woven probably in Spitalfields in 1740, and it was being used as a dressing up costume (and was put in the washing machine!) before being donated to the museum in the 1970s. However when MHH took on the services of Rebecca Olds, a Dress Historian with particular expertise in 18th Century costume, she was able to read the history of the dress in its stitches, tucks and threads, painting a detailed picture of a well-loved gown that was passed down through different generations and fashions. It is so much more than we ever expected when we joined this project, and certainly much more than we would have likely achieved by ourselves.   

Seeing our dress up on the website alongside beautiful, intricate and fascinating items from other museums makes us really feel like part of a Highland museum community, and we’re so grateful to MHH for creating opportunities like this for small museums. 

You can visit www.highlandthreads.co.uk to see the full exhibition and support Highland Museums.