Landseer – exhibition of rare works comes to Grantown Museum

A dark stag stands to the left of the picture looking towards a deep valley with mountains in the distance

New exhibition coming to Grantown Museum of paintings by Sir Edwin Landseer aims to explore the Victorian creation of the Highlands as a site of romance and adventure – a fantasy that endures to this day.

Two hundred years ago, Edwin Landseer followed his wealthy patrons from the upper-class drawing rooms of London to spend his summers in the wilderness of the Cairngorms. The drama and mystery of the landscape would have a profound effect on the artist and his work, and he in turn would do much to popularise a romantic vision of the Highlands as an exotic northern wilderness.

Landseer’s obsession and fascination with the Cairngorms inspired the creation of a new visual identity for the Highlands during a time of great cultural and societal change. Opening this May, Landseer – A Highland Romance at Grantown Museum brings together rarely seen works by the artist to explore how our sense of Highland culture has been shaped by his enduring imagery.

The exhibition includes paintings from the Royal Collection, Woburn Abbey and The University of Dundee, as well as works on paper from private collections, and photographs from the museum’s own collection. The loans are supported by the Weston Loan Programme with Art Fund. Created by the Garfield Weston Foundation and Art Fund, the Weston Loan Programme is the first ever UK-wide funding scheme to enable smaller and local authority museums to borrow works of art and artefacts from national collections.

Dan Cottam, manager of Grantown Museum said, ‘It will be a wonderful opportunity to get up close and personal with an incredibly talented artist, a household name in his day, whose position in society meant he played a hand in shaping the way people see the Highlands and Highlanders to this day. We are giving today’s Highlanders a chance to see some of Landseer’s original paintings and sketches which are rarely seen in public and tell the story of the land that inspired him and his relationships with the influential people who shared his passions in and of the Cairngorms. We are most excited to bring The Highlander and The Highland Lassie from the Royal Collection back to the Highlands – two works created by the artist at the pinnacle of his career.’

19thC engraving of ‘The Eagle’s Nest’ © Grantown Museum

Landseer‘s (1802 – 1873) personal and professional life was irrevocably changed when he met the Duke and Duchess of Bedford. Pioneers in the worlds of science and the arts, this trailblazing pair were instrumental in shaping Landseer’s rise to the top of the art world. Their patronage, influence and affection during the summers they shared in the Cairngorms would see Landseer inspired by a new landscape and way of life.

A love for the Highlands was famously shared by another couple – Queen Victoria and Prince Albert. Landseer’s depictions appealed to the Royal couple’s ideal of a simple way of living, away from the stifling city and the confines of society life. Their new Highland residence, Balmoral, was within riding distance of the tiny enclave of rustic cottages at Glen Feshie that the Duchess had taken for pleasure.

With royal patronage and influence in high society, Landseer’s fame grew and prints of his work would soon be hanging in the parlours of the Victorian middle classes. His images, including the much-loved Monarch of the Glen, are popular to this day.

Landseer – A Highland Romance will look at the artist’s relationship with the Cairngorms and with his influential patrons, as well as the role that Victorian celebrity played in creating an artificially romantic notion of the Highlands and of the people who lived there.

The paintings on display demonstrate Landseer’s brilliance in the use of narrative and mythology to appeal to Victorian sensibilities, while his lesser known personal collection of landscape sketches illustrate how he came to understand and use the unique Highland environment in his larger works.

Long stays in fashionable shooting estates provided the perfect subject matter to exploit Landseer’s talent for animal painting and portraiture. His many unapologetic and often graphic depictions of ‘the stalk’ helped to cement a growing passion for field sports that has been tremendously influential on the economy, environment and social structure of the Highlands.

This exhibition will give visitors the opportunity to explore the realities and myths of Highland identities, the interaction of celebrity and art, and the changes in land use in the 19th century that continue to affect this precious landscape today.

Sophia Weston, Trustee of the Garfield Weston Foundation, said: “We are pleased that the Weston Loan Programme is supporting the display of these paintings at Granton-on-Spey’s community museum. Our programme is all about helping museums tell compelling stories through significant loans, and this is a perfect opportunity to encounter Landseer’s work amid the landscape that so inspired him.”

Exhibition Details

Landseer – A Highland Romance, 13th May until 30th September 2023 at Grantown Museum, Grantown-on-Spey PH263HH

Museum admission: £4 (free for children & members)

For more information or images please contact: Dan Cottam, Museum manager, Grantown Museum: dan@grantownmuseum.co.uk

Museum of the Highlands – A Digital Learning Hub

a yellow background with the name of the website - Museum of the Highlands and a selection of objects such as a bugle, metal helmet, silver cigaratte case with bullet hole

With a launch date set for the end of May, The Museum of the Highlands digital learning hub is almost ready for you to explore. MHH Innovation and Network Manager, Nicola Henderson, offers a little background on how we got to this point and the aims of the project.

When the country went into lockdown in 2020, museums across the Highlands (like museums all over the world) looked for new ways to engage with their audiences. Many already had a digital presence, but it was very much secondary to the physical. Now digital was everything. This was particularly true for museum education content. How do you engage with young people and schools when your core asset – your museum – is closed? As a sector, we experimented with downloadable pdfs, online activities and virtual visits, to name a few initiatives. These were very successful, not just with our local audiences but with schools and families across the world. Suddenly, we weren’t just offering resources and activities for our local communities but for anyone, anywhere, who was interested. The potential was huge.

However, many of our small – medium-sized museums already work over capacity. As we began to open up our buildings and demand for in-person interactions rose again, maintaining and capitalising on the opportunity offered by this global reach was challenging.

Museums across the Highlands get together through monthly online ‘Heritage Cafes’ – informal gatherings on Zoom to share challenges, and successes, ask questions and meet with colleagues. The focus of one session was education and our museums. How could we meet this challenge, grabbing the opportunities while maintaining and nurturing local relationships?

Through discussion, we decided that a collaborative approach – a central hub that could host content and point to museums and their unique offers – could be the answer. Sharing the work, sharing the learning, sharing the reach and potential. This idea grew arms and legs. And, thanks to funding from Art Fund and Museums Galleries Scotland, has become the Museum of the Highlands digital learning hub.

Over the last year, we have worked with museums across the Highlands to create a dynamic digital learning hub enabling children, young people and teachers to discover and engage with museum collections in new and exciting ways. Fifteen museums from across the region have collaborated and worked closely with our Digital Learning and Interpretation Specialists by bringing objects from their collections together to create a digital portal into the rich history and culture of the Highlands.

The learning hub will allow users to access museum collections and learning resources related to objects and topics for use at home or in the classroom, with the functionality to contact museums directly to set up virtual or in-person learning visits.

The site is sponsored by Ilum Studio to help with ongoing maintenance costs and to develop new activities in the future. This ongoing support is essential to the project, ensuring that it doesn’t fall to our already overstretched museums to maintain – it will also allow the website to grow and adapt as feedback is received and we are very grateful to the team at Ilum Studio for supporting us through year 1.

The team of Rosie Goodwin and Freya Samuel as Digital Learning and Interpretation Specialists, have led the curation of the objects and designing the associated learning games and resources in partnership with teachers and young people. In the lead up to the launch of the website, Freya and Rosie will introduce you to the process and types of activities you will find on the site.

I am excited to share the project with you – it is no small task working with the collections of fifteen museums and ensuring content and activities meet the needs of teachers and parents. I believe we have created an engaging, fun and, most importantly, user-friendly site that will support schools, families and museums to engage meaningfully with museum collections in the classroom.

Museums gearing up for new season!

Museums gearing up for new season!

Many, but not all, Highland Museums close or reduce their hours during the winter season, giving them time to care for their collections, research new exhibitions and take time to plan for the future. As Easter approaches many of our museums are getting ready to welcome visitors once again.

Whether they close completely, reduce their hours or keep on going as normal, Highland museums always see the Easter holidays as a chance for a re-awakening. A chance to encourage you to rediscover their collections, visit a new exhibition, attend some exciting events or just pop in for a chat. Whether you are a local or a visitor to the area, you can be guaranteed a warm and friendly welcome. We have a handy map on this website that can help you see where our museums are located as you plan your visit and their listings have contact details so that you can reach out directly to see what is happening and when they are open. Visit the map here.

Two of our museums have some very exciting events coming up. Clyne Heritage Society are celebrating 25 years in existence and have an extensive and fascinating series of events to mark the occasion. You can view a full list of what’s happening here.

And just a little further north in Castletown, Castlehill Heritage Centre is launching a new exhibition to also celebrate an anniversary. Mucking in for 100 years!  will feature themed displays of stories, photographs, tools and implements from CHC’s local Olrig parish farming heritage.  The exhibition is being run in conjunction with the Caithness District Young Farmers Association which is celebrating its centenary this year.

HIGHLAND CONFERENCE AIMS TO FIND A POSITIVE FUTURE FOR HERITAGE

HIGHLAND CONFERENCE AIMS TO FIND A POSITIVE FUTURE FOR HERITAGE

Museum and heritage representatives will gather in Inverness for our first Highland Heritage Conference. Sealladh will take place at Inverness Creative Academy on the 20th – 21st April, 2023.  

The conference will focus on issues impacting our heritage sector. Alongside presentations by delegates from across the Highlands, speakers from national organisations Museums and Galleries Scotland, National Lottery Heritage Fund and Museums Association will share invaluable insights into resourcing our heritage and empowering our workforce. 

Anyone who works or volunteers in the heritage sector is welcome to attend.

The event is organised by Museums and Heritage Highland, a charity formed in 2019 to promote collaborative working and provide a supportive voice for the Highland heritage sector. It is supported through the Museums Galleries Scotland Forums Fund project and is made possible with The National Lottery Heritage Fund, thanks to National Lottery players. The event is further supported by Smartify, the world’s most downloaded museum app, and Highland Tourism CIC, who are working with the sector to create a world-leading sustainable destination and premium environmental tourism brand.

Nicola Henderson, Museums and Heritage Highlands Digital Innovation and Network Manager, said:

“The conference schedule is packed with sessions focusing on innovation and digital skills, managing capital projects, caring for collections and fundraising. There are also discussions around tourism in the Highlands underpinned by rich heritage as well as well-being in museums.

“The first session will be a fun ice breaker, where we will learn more about the diversity of skills in the sector, the professional needs of our heritage colleagues and how we bring those two together. We are planning a ‘Pecha Kucha’ inviting delegates to present a project and discuss how they have responded to the demands of the last few years. We will also discuss complex issues such as the decolonisation of museums and how we ensure our collections are accessible and representative of all society today.”

“The event is an opportunity to discuss and develop plans for the future of our heritage sector. That’s where the event name came from, Sealladh, meaning perspective or view in Gaelic.”

Helen Avenell, Museums and Heritage Highlands Projects and Partnerships Manager, added:

“Our network of museums, galleries and heritage organisations reaches from Strathnaver on the North coast to Gairloch, Granton and Glencoe. Over the past few years, we have held regular online meet-ups, this is the first conference we have organised. We are excited to see our colleagues from across the Highlands in person and looking forward to meeting new members. I encourage anyone working or volunteering in museums or heritage organisations to come along.

“Although we are a Highland-based organisation, many topics we will focus on are relevant to every heritage organisation. We hope to attract heritage delegates from beyond the Highland region to Inverness for this event.”

There will be a screening of Dùthchas – Home, a touching and emotive exploration of what it meant, and still means, to people, especially women, to have to leave the island of their birth to get an education, work, and live. In this, the third documentary feature film ever to be made in Gaelic, Co-directors Kirsty MacDonald (Comas Creative) and Andy Mackinnon (UistFilm) explore the effect this movement had on the Gaelic language and culture of the Isle of Berneray in the Outer Hebrides.

Sealladh – Highland Heritage Conference, takes place 20th and 21st April, 2023 in Inverness. Programme info and tickets are available via Eventbrite

More information on our sponsors:

Highland Tourism CIC

Together we will create a world-leading premium environmental tourism brand. With communities, our ambassadors and partners, we will build on the Highlands’ natural, historic and cultural assets and showcase them to the world. We will work in partnership with stakeholders across all sectors to create a dynamic environment in which tourism businesses and their communities are supported and encouraged to become conscious hosts, ready to deliver the exceptional, immersive and authentic experiences that the growing conscious tourism market is now seeking. Ultimately, we will leverage this vision of a sustainable, wellbeing destination to position The Highlands as one of the world’s most inspiring and welcoming places to live, work, visit, study and invest. highlandtourism.org

Smartify

Smartify connects people to art. Trusted by cultural organisations around the world; we entertain, enliven and enrich audiences.  Because when we’re inspired, we’re unstoppable. 

Smartify’s innovative technology and engaging storytelling makes cultural heritage accessible for a global audience. Our expert creative team delivers the best mobile experiences with highly engaging stories through audio, video and podcasts. Smartify productions are contemporary, thoughtful and entertaining.

More than 2 million artworks from the world’s greatest museums have been scanned on the platform, accessed by more than 3 million registered users through state-of-the-art object recognition, digital wayfinding and augmented reality. That, combined with speed, reliability and depth, makes Smartify the world’s most successful museum application. smartify.org

More information on the film Dùthchas – Home www.duthchas.org 

MHH Welcomes new board members!

MHH Welcomes new board members!

There have been a few changes on the MHH board recently. At the end of last year we sadly said goodbye to our secretary Graham Watson. Graham was a great asset to the organisation and helped us find our feet in the early days. His advice and cander was very much appreciated and we wish him well in his next endeavours. We have had a few free places on the board for a while and so undertook a campaign to encourage new people to join the network – in particular with skills in marketing/audience development, tourism and HR. We received a positive response to this call out and have added 4 new members in recent weeks. Welcome to Ben Thomas, Joe Derry Setch, Sophie Foot and Jason Martin. We are delighted to add such a variety of skills and experience to the board and look forward to working with them on our shared mission of helping Highland heritage to thrive.

Ben Thomas
Ben is Research Manager at Historic Environment Scotland, where he undertakes and supports research to understand the values and benefits of Scotland’s heritage.  He is particularly interested in community heritage and intangible cultural heritage, and is Principal Investigator on the Arts and Humanities Research Council-funded Outreach to Ownership community research pilot with Historic England.  Ben has previously worked at Highlands and Islands Enterprise, and the University of Dundee.  In his spare time, Ben is a board member of Gairloch Museum, and the editor of the Transactions of the Gaelic Society of Inverness.  He grew up in Gairloch, and lives and works in Inverness.

Joe Derry Setch
Joe is a Marketing and Communications Officer at Museums Galleries Scotland (MGS), the national development body for museums. His work at MGS involves creating digital content, planning campaigns, taking photos, and offering marketing advice. He is interested in exploring how museums can improve the accessibility and inclusivity of their digital and physical spaces, particularly with regard to LGBTQ+ history and culture. As a member of the MHH board, he hopes to support museums which are exploring their approaches to marketing, accessibility, and inclusivity. Previous jobs include front-of-house work at National Museums Scotland and a museum assistant role at Inverness Museum and Art Gallery. He has a background in Scottish early modern history, and spends his free time drawing, gaming, and playing badminton.

Sophie Foot
Sophie is originally from the Scottish Highlands, north of Inverness and now lives in The Hague, The Netherlands. Her academic background is in Ancient History and Egyptology, but she is fascinated by most areas of global history, ancient or modern and connections that are visible across cultures and time periods. I moved to Edinburgh for my Bachelors Degree in Ancient History, and then to The Netherlands for my Masters in Egyptology. Sophie brings experience in the creative and technology industries. She is interested in combining technology with history and heritage in innovative ways, to encourage audiences to be more engaged in heritage, especially using immersive technology to allow the audience to feel like they are participating in historical events. Sophie is our new secretary.

Jason Martin
Jason recently returned to his hometown of Inverness having lived in Edinburgh for several years. He originally studied MA in historical studies at the University of Glasgow. He started his career in heritage as a volunteer at Culloden battlefield before joining the team as a learning assistant for a season, primarily guiding and working with school groups. Jason went on to work for Mercat Tours, 5 star award winning walking tour company in Edinburgh, before moving on to tour operator with Absolute Escapes, in their operations department planning holidays around the UK. His current position is Destination Development Manager at the Cairngorms Business Partnership, the Chamber of Commerce and they operate VisitCairngorms. Jason is involved in various projects around the National Park, leading the development of CBP climate action plan, product development, business engagement and brings experience in marketing and working with travel trade. 

Remarkable Highland women remembered in newly-released podcast 

<strong>Remarkable Highland women remembered in newly-released podcast </strong>

The long-buried stories of extraordinary Highland women have found themselves amplified to a new audience thanks to a podcast series which goes live this week. 

Commissioned by Museums and Heritage Highlands and in collaboration with Highlands and Islands creative business support organisation XpoNorth Digital, the podcast series is hosted by Pauline Moore, formerly from the BBC who is now an award-winning freelance podcast host and producer. Focussing on uncovering the previously obscured stories of remarkable Highland women, each podcast uses archived material to highlight fascinating individual narratives. 

The first in the series, for example, recounts the intriguing rags-to-riches story of Mary Marjory MacDonald, who became a prolific jewel thief after having been orphaned as a teenager. Subsequent episodes, meanwhile, spotlight artist Margaret Swanson, who was ahead of her time when she became a champion of women’s creativity in the 1800s, and Orkney-born doctor and photographer Beatrice Garvie, who blazed the trail for women in medicine when she became one of the UK’s  first female GPs in the 1930s. 

Nicola Henderson, Heritage specialist at XpoNorth Digital, said: “Over a year ago now, Nick Lindsay from Clyne Heritage Society approached Museums and Heritage Highland with the story of Caroline Ross, a powerful story of a brave young woman. A story that had been lost to time that he believed the world needed to hear. This idea then came to  XpoNorth and with support from the team went on a journey to discover the many amazing stories of remarkable women from across the Highlands. I am delighted that we can finally tell these stories to the world and hope that these pilot episodes lead to people wanting to know more not just about these women, but about the many more amazing women from Highland history whose stories have been hidden for far too long.”

Having been recorded live at a series of events earlier in the year, the podcast series has been facilitated by audio production company and network, The Big Light, whose mission is to connect an international community of listeners with Scottish history and culture. 

Janice Forsyth, co-founder of The Big Light Network, added: “We are delighted to host Unforgotten Highland Women on The Big Light Network. Pauline Moore is a world-class producer and presenter and we’re thrilled that she’s bringing these extraordinary Highland women to life in this 6-part boxset. Fiona White and I co-founded the network to tell powerful and important stories and share them with audiences around the world. Unforgotten Highland Women proudly takes its place alongside more than 20 other titles.” 

This event and podcast series has been supported by the Year of Stories 2022 Community Stories Fund, and is one of the final projects being launched in celebration of this theme. The fund is being delivered in partnership between VisitScotland and Museums Galleries Scotland with support from National Lottery Heritage Fund thanks to National Lottery players. 

Marie Christie, Head of Development at VisitScotland added “We are delighted to be supporting the Unforgotten Women podcast through the Year of Stories 2022 Community Stories Fund. Events play an important role in our communities as they sustain livelihoods and help to celebrate and promote our unique places, spaces and stories. Themed Years are all about collaboration and Museums Galleries Scotland, National Lottery Heritage Fund and VisitScotland are pleased to work in partnership to create this fund to showcase community stories. By supporting events taking place within our communities, including the Unforgotten Women podcast series, new opportunities will be provided for locals and visitors to come together and find out more about the diverse stories, past and present, that our communities have to share.”

Have a listen here ‘Unforgotten Highland Women

 Breathing Space mini-residency

 Breathing Space mini-residency

We are very excited to launch our first residential weekend offering peer-to-peer support for Museum Managers and Curators

When
Friday 24th February (6pm-ish) – Sunday 26th February (11am-ish)

Where
Kirkmichael Apartments, Kirkmichael near Pitlochry

What

A 2-day professional development opportunity for early to mid career curator/managers in the Highlands.

Curator/managers often find themselves focusing on the organisational aspects of their roles, caught up in a never-ending list of deadlines, unanswered emails, evaluations and budgetary concerns. The aim of this residency is to give them the opportunity to share their experiences, enrich their practice and explore in depth issues, concerns, possibilities and opportunities in a safe non-judgmental environment.

The residency will include:

  • Facilitated getting to know each other time 
  • One-to-one skills sharing sessions
  • One-to-one idea sharing with peer response
  • Group discussion and problem solving

MHH understands that some participants may have genuine concerns about sharing their ideas or challenges with others. While all participants should know in advance that some degree of sharing is key to gaining as much as possible from the workshops, it is also understood that there is some need for privacy and you will not be asked to discuss anything that you would prefer to keep private. 

This residency will be supported and facilitated by Tamsin Russell. Tamsin is based in Fife and has worked in the cultural sector for over 20 years leading on learning and professional development from formal leadership programmes to action learning sets, from careers advice to coaching. Tamsin joins with an understanding of the sector, and the Scottish landscape specifically.

‘I am really delighted to be holding this space for curator/ managers, my philosophy has always been if we all share, we all learn – and this programme is grounded on that belief.’

Eligibility
The course will be open to a maximum of 6 curator/managers, who will be chosen by application. Participants will be selected based upon their shared needs and stage of career: it is hoped that participants will be working at a similar level to maximise their opportunities for sharing experiences and learning. The course is open to all those who have some experience working as a curator/manager for at least 1 year. You must also be resident in the Highlands & Islands or Moray at the time of application.

Costs
All residential costs (accommodation and meals) will be covered by Museums and Heritage Highland. Participants are only required to pay an attendance fee of £50 (£100 for non-members) and cover their own travel expenses to Pitcairlie House (we will organise car-sharing for this to reduce costs as much as possible).

This opportunity is funded through the Museums Galleries Scotland Forum’s Fund project and is made possible with The National Lottery Heritage Fund. Thanks to National Lottery players.

How to Apply
Please send a current CV and personal support statement explaining why you would like to take part (in particular, why now?), think about what you would want to leave the weekend knowing/feeling/being able to do and please state what skills you would like to share and the key issue you would like to discuss with the group.

This opportunity is open to all. If you have any access requirements please include these in your personal statement so that we can ensure your needs are met.

Email these to Nicola Henderson, nicola.henderson@museumsandheritagehighland.org.uk  no later than 5pm on Wednesday 21st December. Applicants will be notified of the decision by Wednesday 11th January.

We want you on board!

view of glen with community members standing in circle surveying site

Museums and Heritage Highland (MHH) is a new charity formed in March 2019. We are a strong, supportive voice for heritage in the Highlands. Our members include museums, galleries and heritage organisations of all sizes from across the region. We work to promote collaborative working and capacity building; promoting partnership opportunities that support our members achieve their purpose and to be sustainable and resilient in challenging times.

We are seeking new Board members to join our existing Board of Trustees, which provides support, advice, expertise, and ideas to ensure good governance and healthy practice.

We are looking for people who have experience and skills in the following areas:

  • Fundraising – public, private and commercial
  • Marketing/PR
  • Tourism
  • Accounting
  • Human Resources
  • Strategy development

We want to remove barriers that may prevent people from accessing or participating in our work. For this reason, we encourage applications from individuals from groups that are underrepresented in the sector due to age, disability, gender, sexual orientation, ethnicity, faith or belief, education, or socio-economic background.

The successful candidates will have:

  • An understanding of and interest in Highland heritage and tourism
  • Excellent relationship-building and communication skills
  • Strong ability to work collaboratively
  • Knowledge of or interest in MHH work
  • One or more of the key skills we are looking for (listed above)
  • Previous Board experience is not essential.


Museums and Heritage Highland Board meets six times a year (mostly online, but occasionally in person meetings may be required, usually in the Inverness area).  In addition to attending meetings, Board members are asked to give an additional two days (minimum) of their time over the course of each year towards assisting the organisation in its aims, and to attend events or trainings provided to support the Board’s development or their knowledge of the work of MHH.

MHH is an equal opportunities organisation. We will work with short-listed candidates to ensure their access needs are met during the recruitment process and will ensure that access requirements are not a factor in our decision-making.

Museums and Heritage Highland (MHH) is a registered SCIO formed in March 2019. Scottish Charity Number SC049088.

How to Apply

Please send your note of interest to danieljosephcottam@gmail.com and include a bit about your background and why you’re interested in joining the team.  Please also tell us if you are specifically interested in applying for an office bearer position (chair, secretary, treasurer). This should be no longer than 1 A4 page, or 2 minutes audio/video file, sent (via link if a large file) to the email address above.

If you have any questions about the role or would like to speak with a member of the team, please email Dan Cottam at danieljosephcottam@gmail.com

Opportunity for museums to experiment with Smartify!

Jim Dunn photographing a gansey from Wick Heritage Centre

XpoNorth reveals groundbreaking partnership with Smartify to give global reach to Highlands and Islands museums

Museums in the Highlands and Islands will be given a unique opportunity to showcase their incredible collections on the global stage, as XpoNorth Digital announces a groundbreaking partnership with Smartify.

This transformative opportunity will give five museums in the region the chance to feature on the world’s most downloaded museum app and tell their story to audiences all over the planet, with support from a digital content creator to help them pull together the content they need.

As part of the project, each museum will have their venue listed on the Smartify platform, which enables cultural attractions of any size to offer a slick, accessible smartphone-led experience to every visitor. Their collection, which can range from 10s to 100s of objects, will be digitised and uploaded, along with a five minute curated video telling their story, a multi-media tour, the opportunity to create an e-shop and all the data and support needed to ensure they get the most from the opportunity.

XpoNorth Digital, Highlands and Islands Enterprise’s mechanisms for specialist digital support for creative and heritage networks based across the Highlands and Islands, believes the partnership is a revolutionary one that has the power to elevate the global status of regional museums exponentially.

Nicola Henderson, XpoNorth Specialist Advisor for Heritage said: “Smartify has over three million users across the world. That’s three million people who love museums; who love history, who love art. Helping Highland museums to get on the platform and tell their stories to a targeted audience of this size could be transformational.

“The Smartify platform gives museums the tools they need to build new experiences within their buildings for their physical visitors, while also helping them to reach out to new audiences. It will help to drive engagement with their collections and stories, while offering opportunities to generate revenue from a global audience. I’m really excited to work with museums of all sizes from anywhere in the Highlands or Islands to explore what this partnership could mean for their organisation.”

Christopher Bazley, Smartify’s Head of Global Partnerships said: “Smartify’s commitment to making world-class digital engagement affordable and accessible to as many museums as possible is part of our DNA. As part of our ongoing commitment to supporting the Highlands and Islands and its globally significant cultural heritage, we are delighted, honoured and excited to have the opportunity of working with XpoNorth on this important project.”

This opportunity is open to any museum based in the Highlands and Islands and participants will be selected through an open application process delivered in collaboration with XpoNorth, Smartify and stakeholder networks.

XpoNorth will be running two dedicated online information sessions in partnership with Smartify to allow museums to gain more information on the opportunity and ask any questions ahead of making an application. These will take place on October 19 and November 16. The application window will close at 5pm on Friday 2nd December.

Email for more information or register for the events here:

Wednesday 19th October: 2pm-3pm
Information Session: Smartify Opportunity for Highlands and Islands Museums

Register here

– Wednesday 16th November: 2pm-3pm
Information Session: Smartify Opportunity for Highlands and Islands Museums

Register here

The Dreaming Bog

The Dreaming Bog

A new film that aims to highlight the unique story of a landscape of Northern Scotland will have its maiden screening in Lairg.

The Dreaming Bog is an ecopoetic story on Climate Change told through the lens of the Bogs & Peatlands of Northern Scotland and the Mires & Swamps of Finland. The film is based on the opening act of an epic new poem by Caithness Makar, George Gunn, ’Six Thousand Years of Sunlight’, and was produced by Sutherland born filmmaker, Robert Aitken.

The film seeks to seed a new wave of discussion on Climate Change where humans are placed back into the heart and narrative of nature, and honour that place. Although a complete telling, the film has been created as the opening of 4 x films continuing an ecopoetic discourse and engagement with the remaining stanzas of George Gunn’s modern epic.

As George says; “I was honoured when Robert wanted to use some of my poem for his new film, ‘The Dreaming Bog’. The subject matter of the Caithness and Sutherland Bog lands is very close to my heart given the Clan Gunn literally, culturally and historically, come out of the Bog.

George Gunn

Filming took place at the end of 2021 under challenging circumstances. As Robert explains; “After a difficult birth including; a pandemic, a lock down, two storms and multiple cancellations due to Covid and illness, it’s just incredible The Dreaming Bog got made at all. Given events elsewhere in the world however I give gratitude that I could create this film. In a strange way the challenges in production echo the wider situation and how we can overcome adversity.”

The global Bogs and Peatlands are an incredible gift of life, but are in danger of degradation through human-related activities. These places are home to an immense variety of plants and wildlife, and historically, humankind has lived and worked in the Bogs of northern Scotland since the arrival of hunter-gatherer. Arguably the greatest gift of certain Bog types is that they are the best Carbon Keepers on earth, up to four times more efficient at storing gas, poisonous to human life, than the rain forests.

The Dreaming Bog also contains heartfelt comment from those who actually live and work in the Bogs of Caithness and Sutherland, as well as Finland – informed testimony from passionate researchers, heritage curators and scientists, all who have delved deep in to the legacy of the Peatlands and their rich story.

Writer, ethnologist and archaeologist Cáit O’Neill McCullagh says; “As a landscape of course the Peatbogs preserve a tremendous amount of archaeology because It’s an anaerobic environment, an oxygen free environment. The Bogs of Northern Europe are well known as places where people would have deposited important things for ritual purposes. Hoards of expensive precious metals, materials that would have been fashioned in to swords or cauldrons but also for simply preserving things like you or I would put things in the fridge.”

Heritage and Digital curator at Timespan Arts in Helmsdale, Jacquie Aitken, continues on the theme of preservation; “Wood was not readily available to the township folk of far north of Scotland so they would have gone up to the Bogs and dug up Peat as fuel. They’d also come across old roots of trees preserved in the Bogs. It’s these hard bits of wood that they would utilise and make furniture out of, such as chairs. It’s a wonderful example of vernacular furniture that’s been derived from the Peatbogs.”

Other footage and comment was supplied by film partners from the University of Eastern Finland’s Mire Trend Project. With Finland’s landmass being one-third swamps, the Mire Trend Project looks at various influences of swamps and Bogs on Finnish society.

The topic of Climate Change is very much at the forefront of the global energy crisis with concerns on our reliance on fossil fuels versus the need for deliverable renewables. For the most part planet earth has paid little attention to human civilisation over the past 6000 years. Only since the industrial revolution has this relationship fractured; a mere 200 years and earth has seen its air, water, ice and rock begin to act directly due to human activities. As Robert says; “We all want the human journey to continue but our efforts thus far have failed. Adding Robert says; “Getting a message out there with a narrative that connects with people requires a different approach. It’s ultimately humanity that needs to change so I do find a lot of the messaging and terminology in the current arguments a barrier to any real progress. In short, we need a new story.”

Social scientist at UHI’s Environmental Research Institute in Thurso, Magnus Davidson, comments on his work on the Caithness Peatlands, known locally as the Flow Country; ”I try to understand the social history of the Flow Country, to better understand how we as a society might use the Flow Country in the future, but also understand the environmental degradation and as we look to restore the environment around it.”It’s this need for a new perspective on Climate Change that led Robert to make this film on the global Bogs. Given the importance to our past and current existence on earth the Bogs act like a planetary storage facility, physically and metaphysically. Due to the chemical make-up of the vegetation the Bogs hold a geological record of earth from millennia ago and act as a depository of our activities; a living and breathing vast record of our collective actions on earth.

The producers of The Dreaming Bog are keen for as many people as possible to see the film, listen to the panel discussion and get involved in the Q&A sessions. As Robert surmises; “The film is only half the story, we want host venues and the public to get involved and be participants. The film will also make a great addition to festivals, climate change and arts related activity venues may be planning with its themes around vulnerable landscapes, poetry, heritage & culture and its highly creative approach in storytelling.”

Robert Aitken

There are already a number of venues throughout the far North and Scotland signed up as part of a national screening tour of The Dreaming Bog. The film is now being offered to museums, arts venues, community organisations etc., of all sizes to host a screening event. To help host venues with costs the producers are wavering all film licensing fees and some other costs. They also offering help with advertising and promoting to ensure a successful screening event. In concluding Robert says; “I am so delighted we are kicking off our screening tour in Lairg, the region of my birth and of course not far from the precious Bogs. They are an incredible and hugely important landscape facing an uncertain future. It’s this story we have endeavoured to tell in The Dreaming Bog.”

If you wish to host a film screening event or receive more information of The Dreaming Bog please get in touch with Robert Aitken on: robert@aitken.online

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